{"id":6573,"date":"2023-02-26T09:05:22","date_gmt":"2023-02-26T07:05:22","guid":{"rendered":"https:\/\/opera-world.net\/?p=6573"},"modified":"2023-02-26T09:05:29","modified_gmt":"2023-02-26T07:05:29","slug":"coro-allegro-to-present-centenary-concert-celebrating-composer-daniel-pinkham","status":"publish","type":"post","link":"https:\/\/opera-world.net\/ua\/coro-allegro-to-present-centenary-concert-celebrating-composer-daniel-pinkham\/","title":{"rendered":"Coro Allegro to Present Centenary Concert Celebrating Composer Daniel Pinkham"},"content":{"rendered":"<p>By Chris Ruel<br \/>\nBoston\u2019s award-winning LGBTQ+ and allied classical choir, Coro Allegro, will celebrate the 100th birthday of queer composer Daniel Pinkham with works for double choir, brass quartet, and organ on May 7, 2023, at Church of the Covenant in Boston, MA.<\/p>\n<p>Pinkham was prolific as a composer. In addition, was a harpsichordist, organist, faculty member of the New England Conservatory, and Music Director of Kings Chapel for more than four decades. \u201cHe exemplified the spirit of the Allegro Choir,\u201d said Core Allegro\u2019s Artistic Director, David Hodgkins.<\/p>\n<p>The program for the honorary features Pinkham\u2019s Fanfares, along with his Christmas Cantata (Sacred Symphony), and Ralph Vaughan Williams\u2019, Mass in G minor. Shawn Crouch\u2019s motet for 12 voices, \u201cParadise\u201d will have its Boston debut.<\/p>\n<p>Featured soloists are tenor Matthew DiBatistta, organist Heinrich Christensen; trumpeters Richard Keelkey and Cheryl Przytula; trombonists Hans Bohn and Robert Couture; and on percussion Thomas Schmidt and Desiree Glazier-Nazro; and, Timpanist Michael Weinfield-Zell. David Hodgkins leads the choir.<\/p>","protected":false},"excerpt":{"rendered":"<p>By Chris Ruel Boston\u2019s award-winning LGBTQ+ and allied classical choir, Coro Allegro, will celebrate the 100th birthday of queer composer [&hellip;]<\/p>","protected":false},"author":1,"featured_media":6574,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/opera-world.net\/ua\/wp-json\/wp\/v2\/posts\/6573"}],"collection":[{"href":"https:\/\/opera-world.net\/ua\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/opera-world.net\/ua\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/opera-world.net\/ua\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/opera-world.net\/ua\/wp-json\/wp\/v2\/comments?post=6573"}],"version-history":[{"count":0,"href":"https:\/\/opera-world.net\/ua\/wp-json\/wp\/v2\/posts\/6573\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/opera-world.net\/ua\/wp-json\/wp\/v2\/media\/6574"}],"wp:attachment":[{"href":"https:\/\/opera-world.net\/ua\/wp-json\/wp\/v2\/media?parent=6573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/opera-world.net\/ua\/wp-json\/wp\/v2\/categories?post=6573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/opera-world.net\/ua\/wp-json\/wp\/v2\/tags?post=6573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}