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Fort Worth Opera Presents the Biennial Marguerite McCammon Voice Competition, March 23 at the Kimbell
Лютий 22, 2025

Tickets Available Now to Experience Stars of Tomorrow Competing for Career Opportunities, Cash Prizes

(Fort Worth, Texas) – The McCammon Voice Competition is back! On Sunday, March 23, 2025, at 2:00 p.m., ten rising stars of the opera world will take the stage at the Kimbell Art Museum, competing for $15,000 in prizes. Hosted by Fort Worth Opera, with tickets available on the opera website, this exciting biennial event is a rare chance to witness world-class talent up close, with the audience even getting to vote on one of the prizes.

“Every other year since 1985, the McCammon Voice Competition brings Final Four intensity, American Idol vitality, and Oscar Red Carpet style right here to our city,” said Fort Worth Opera General & Artistic Director Angela Turner Wilson. “It’s high-stakes, high-drama, and high artistry — all in one thrilling afternoon.”

The competition first debuted in 1985, after devoted opera supporter Marguerite McCammon donated $30,000 to the Opera Guild to help young singers prove their talents and advance their careers by competing for awards and recognition. Originally open to Texans, the competition soon became national — and then international — and has successfully launched careers of opera stars such as Grammy-winning baritone Richard Paul Fink, a world-renowned Wagnerian and frequent Metropolitan Opera guest; and soprano Marjorie Owens, who returned to Texas last season to headline Strauss’ Elektra at Dallas Opera.

The McCammon is open to singers 21 and above who have never had professional management. This year, nearly 300 hopefuls from around the world applied — including singers from the U.S. (and Texas!), Mexico, Canada, South Korea, Ireland, Spain, Cyprus, Greece, Chile, Denmark, the Netherlands, and France. A panel of 17 judges winnowed that field to 48 semi-finalists, who were then evaluated by three industry pros: mezzo-soprano Michelle DeYoung, Baylor professor and vocal coach Kathleen Kelly, and conductor Tyson Deaton, fresh from Fort Worth Opera’s production of Little Women.

Those judges have narrowed the field further to 10 finalists (and five alternates) who will face the final judging panel — and a live audience — in Fort Worth on March 23, 2025.

Each of those contestants has submitted a list of four arias they are prepared to sing, chosen to showcase vocal artistry, technical skill, and command of multiple languages — essential for professional opera singers, who often perform in English, Italian, French, German, and even Russian.

At the live event on March 23, each singer gets to choose their first aria from that list, which they will perform with piano accompaniment. For the second half of the program, the judges raise the stakes by selecting a surprise second aria from the same list.

Those judges will be a tough panel, but each brings real career-launching potential to the dais: Fort Worth Opera’s Turner Wilson will be joined by Chandler Johnson of Santa Fe Opera, Vanessa Uzan of UIA Talent Agency, and Miguel Harth-Bedoya of the Fort Worth Symphony Orchestra.

Along with First, Second and Third Prizes, the judges will present an Audience Favorite Award chosen by ticket holders in attendance. During the awards ceremony, Turner Wilson will also deliver a well-earned recognition to Opera board member and friend John Forestner, and a posthumous recognition to Opera board member and staunch advocate Louise Carvey. 

Audience members will then have the chance to meet the competitors at a post-awards reception, all in the intimate setting of the Kimbell Art Museum theater.

Nancy Menking, the granddaughter of competition founder “Mimi” McCammon, shared fond memories of picking her favorite singers over the many years she has attended the competition. “I love to get the program and get my pencil out,” she said. “I pick 1, 2 and 3 — but I'm always off on the winner. I do usually get the Audience Favorite right! I guess that goes to show how much great talent there is in this competition. It's very impressive.”

“The McCammon is a launching pad for the next generation of opera stars,” Turner Wilson agreed. “Each finalist on that stage could be standing on the brink of a major career. When you come out and support them, you’re getting an afternoon of spectacular voices singing world famous arias — but it’s deeper than that. You’re also helping to shape the future of opera.”

To learn more about the McCammon Competition, and to purchase tickets for the event, please visit the Fort Worth Opera website at fwopera.org.

ABOUT THE MCCAMMON COMPETITION

In 1969, Mrs. George W. Armstrong of Natchez, Mississippi gave $5,000 to the Opera Guild of Fort Worth in honor of her favorite niece. That niece was Marguerite McCammon, a woman who had been president of the Opera Guild in 1963 and 1964, and who had served on the board of the Fort Worth Opera Association.

The Guild used that gift to found a permanent scholarship fund for talented voice students and to support the unpaid members of the Fort Worth Opera chorus.

In 1983, Mrs. McCammon recognized that young singers at the beginning of their careers needed financial support. She donated $30,000 to the Opera Guild with the understanding that the funds were to be used to launch a voice competition that would help young singers advance their operatic careers. Thus, the biennial Marguerite McCammon Voice Competition was established.

Since its debut in 1985, the McCammon Voice Competition has grown into one of the world's most important operatic events. Every two years the contest showcases the most compelling young singers of our time.

Fort Worth Opera’s commitment to discovering and supporting new talent is evident in the Biennial McCammon Competition. This event attracts some of the world’s most gifted opera singers, who perform with passion and precision, competing for recognition in a celebration of vocal excellence.

The 20th edition of the McCammon Voice Competition will conclude on March 23, 2025, beginning at 2 p.m. at the Kimbell Art Museum Piano Pavilion. Please visit fwopera.org/mccammon-competition for more information and to purchase tickets.

ABOUT FORT WORTH OPERA

Founded in 1946 by three visionary women — Eloise MacDonald Snyder, Betty Berry Spain, and Jeanne Axtell Walker — Fort Worth Opera is the oldest opera company in Texas, and one of the oldest opera companies in the United States. The organization has received local and national attention from critics and audiences alike for its artistic excellence, pioneering spirit, and long history of community-based cultural engagement. In addition to producing traditional repertoire with rising stars and inspirational young talents, the company is known throughout the operatic world as a champion of new American works.

With a dedication to the community both on and beyond the operatic stage, Fort Worth Opera boasts a highly successful opera education program, consisting of The Lesley Resident Artist program and the Children’s Opera Theatre, which brings opera to nearly 40,000 school children each year across the state of Texas. 

Fort Worth Opera is committed to producing opera of the highest possible artistic quality and integrity; to identifying and training talented young singers; to serving as a crucible for creating new American operas; to joining forces with other arts organizations in significant collaborations; and to enriching the community by stimulating cultural curiosity and creativity in people of all ages, ethnicities, and backgrounds.

Visit fwopera.org for more information.

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